BOOK & PRINT

TRADITIONAL BOOK ARTS include printmaking, bookbinding, gilding, water marbling, and paper making. I have tried my hand at many different aspects of book design and construction. I find that books are perhaps the holistic way to combine my many artistic interests including illustration, typography, and traditional craft. 

LITHOGRAPHS

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ABOUT THE PROCESS

Lithography feels like the printmaking method most connected to expressive drawing. For me, it feels like a more direct translation from a sketch than most of the relief techniques I enjoy. I have practiced both plate and stone lithography and have experimented with layered prints that employ masking and traditional water marbling. 

RELIEF PRINT

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ABOUT THE PROCESS

I have worked in many types of relief print but primarily wood cut and letterpress. My letterpress training began in 2010 and in that same year I began commercial work under the moniker Panthera Press. My private press primarily produces custom stationery such as wedding invites, but when I have time I like to experiment with more conceptual prints. 

GILDING

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ABOUT THE PROCESS

Gilding has a long history within the book arts because it has such a powerful effect on the viewer. It is also a craft I find incredibly challenging. Mixing and applying a traditional plaster base for gilding is a difficult process to learn, but worthwhile for the focal point it can add to a design. I have experimented with many ways to apply gold to a design including traditional raised gilding, powdered shell gold, and more modern metallic pigments. 

 

Lithographs

Lithography & Watercolor

 

These lithographs were created on aluminum plates. Both are hand detailed in watercolor or augmented by a watercolor monotype overlay. The process for these prints is covered in detail on my Experiment in Print blog. These two prints were some of my earliest attempts at plate lithography and so the focus of these images was on including a variety of textures and mark making in order to see how the plates held the image. Both lithographs deal with the concept of predator and prey.

 

 

Lithographs

Lithography & Watercolor

 

These lithographs were created on aluminum plates. Both are hand detailed in watercolor or augmented by a watercolor monotype overlay. The process for these prints is covered in detail on my Experiment in Print blog. These two prints were some of my earliest attempts at plate lithography and so the focus of these images was on including a variety of textures and mark making in order to see how the plates held the image. Both lithographs deal with the concept of predator and prey.

 

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