BOOK & PRINT

TRADITIONAL BOOK ARTS include printmaking, bookbinding, gilding, water marbling, and paper making. I have tried my hand at many different aspects of book design and construction. I find that books are perhaps the holistic way to combine my many artistic interests including illustration, typography, and traditional craft. 

LITHOGRAPHS

Previous slide
Next slide

ABOUT THE PROCESS

Lithography feels like the printmaking method most connected to expressive drawing. For me, it feels like a more direct translation from a sketch than most of the relief techniques I enjoy. I have practiced both plate and stone lithography and have experimented with layered prints that employ masking and traditional water marbling. 

RELIEF PRINT

Previous slide
Next slide

ABOUT THE PROCESS

I have worked in many types of relief print but primarily wood cut and letterpress. My letterpress training began in 2010 and in that same year I began commercial work under the moniker Panthera Press. My private press primarily produces custom stationery such as wedding invites, but when I have time I like to experiment with more conceptual prints. 

GILDING

Previous slide
Next slide

ABOUT THE PROCESS

Gilding has a long history within the book arts because it has such a powerful effect on the viewer. It is also a craft I find incredibly challenging. Mixing and applying a traditional plaster base for gilding is a difficult process to learn, but worthwhile for the focal point it can add to a design. I have experimented with many ways to apply gold to a design including traditional raised gilding, powdered shell gold, and more modern metallic pigments. 

 

The Alchemist

Paulo Coehlo

 

Paulo Coehlo’s The Alchemist was my first  effort to really explore the experience of designing and illustrating a complete book. This edition features type setting and black and white ink illustrations. Learning to plan and outline a book in its entirety really helped to hone my skills in InDesign and test my ability to enforce a unified visual style throughout the book.

 

 

The Alchemist

Paulo Coehlo

 

Paulo Coehlo’s The Alchemist was my first  effort to really explore the experience of designing and illustrating a complete book. This edition features type setting and black and white ink illustrations. Learning to plan and outline a book in its entirety really helped to hone my skills in InDesign and test my ability to enforce a unified visual style throughout the book.

 

RELATED BLOGS & TUTORIALS

Book Arts
admin

Gilding 101

I’ve been incorporating gold into my work for a while, but I’ve never really figured out the most efficient application method. I’ve decided to try

Read More »
Book Arts
admin

Plate Litho | Take Two

With only a week left in my print class I wanted to squeeze in just ONE more print. Originally I wanted to make a color

Read More »