BOOK & PRINT

TRADITIONAL BOOK ARTS include printmaking, bookbinding, gilding, water marbling, and paper making. I have tried my hand at many different aspects of book design and construction. I find that books are perhaps the holistic way to combine my many artistic interests including illustration, typography, and traditional craft. 

LITHOGRAPHS

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ABOUT THE PROCESS

Lithography feels like the printmaking method most connected to expressive drawing. For me, it feels like a more direct translation from a sketch than most of the relief techniques I enjoy. I have practiced both plate and stone lithography and have experimented with layered prints that employ masking and traditional water marbling. 

RELIEF PRINT

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ABOUT THE PROCESS

I have worked in many types of relief print but primarily wood cut and letterpress. My letterpress training began in 2010 and in that same year I began commercial work under the moniker Panthera Press. My private press primarily produces custom stationery such as wedding invites, but when I have time I like to experiment with more conceptual prints. 

GILDING

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ABOUT THE PROCESS

Gilding has a long history within the book arts because it has such a powerful effect on the viewer. It is also a craft I find incredibly challenging. Mixing and applying a traditional plaster base for gilding is a difficult process to learn, but worthwhile for the focal point it can add to a design. I have experimented with many ways to apply gold to a design including traditional raised gilding, powdered shell gold, and more modern metallic pigments. 

 

Unlocking the Right Brain

A Creative Thinking Workbook

 

Unlocking the Right Brain was a visual creative workbook designed to present something that few of these previously published books had yet to offer – a chance to learn and practice creative thinking through the senses of sight and touch. Design can bridge the gap between auditory and visual learning. The activation of multiple senses at once (tactile, visual, verbal) helps to clarify the concept to the thinker and more thoroughly engage the brain.

This small edition of fine press book utilized letterpress, digital printing, and hand binding to create a deeper tactile interaction with the reader. After immersive research I wrote, illustrated, typeset, and created a small edition of books which included visual thinking tools, and visual exercises to promote creative thinking and ideation. The initial exhibit for this work also featured large scale screen prints on Japanese paper.

 

 

Unlocking the Right Brain

A Creative Thinking Workbook

 

Unlocking the Right Brain was a visual creative workbook designed to present something that few of these previously published books had yet to offer – a chance to learn and practice creative thinking through the senses of sight and touch. Design can bridge the gap between auditory and visual learning. The activation of multiple senses at once (tactile, visual, verbal) helps to clarify the concept to the thinker and more thoroughly engage the brain.

This small edition of fine press book utilized letterpress, digital printing, and hand binding to create a deeper tactile interaction with the reader. After immersive research I wrote, illustrated, typeset, and created a small edition of books which included visual thinking tools, and visual exercises to promote creative thinking and ideation. The initial exhibit for this work also featured large scale screen prints on Japanese paper.

 

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