MIXED MEDIA | ILLUSTRATION

ILLUSTRATION TELLS STORIES. In its most familiar format it includes painting or drawing to illuminate a text – often in a book, magazine, or other published work. However, illustration is not necessarily two-dimensional. I consider my mixed media work illustration because I am using these images to amplify and express concrete ideas, stories, and personal writings (even when they don’t accompany the work). The line between “fine art” and “illustration” is a blurry one, and the two are often distinguished by whether the work is commercially viable or conceptual. However, I feel the term Illustration best describes my work.

CONCEPTUAL STORY TELLING

ABOUT THE WORK

Animals and plants are the primary characters in many of the stories I want to tell. Animals especially make great subjects – they are easy to use in metaphor and yet people identify and relate with them intimately. Sometimes it seems people are indeed too personal – the natural world beyond humanity gives us a way to talk about ourselves without any human bias. 

I am also deeply fascinated by the microcosm and so medical or scientific imagery often feature in my work.

SKETCHBOOK

My sketchbooks are full of small incomplete drawings or paintings. Many images are lifted from dreams or layered in a steam of consciousness method, others may be drawn from life. My sketchbook includes a mix of graphite, ink, watercolor, and digital exploration. 

Exchange

Hive Culture

Bees are a recurring theme in my work. I see their industriousness, orderly nature as a parallel to my own artistic practice. They work ever on in a pursuit of growth, their hives expanding outwards with limitless potential. This is what I strive for in my working life – to continue to build upon what I know and improve. These layered works play with the random flow of alcohol ink and the precise technique of paper cut to build flowing, sculptural compositions.

Exchange

Hive Culture

Bees are a recurring theme in my work. I see their industriousness, orderly nature as a parallel to my own artistic practice. They work ever on in a pursuit of growth, their hives expanding outwards with limitless potential. This is what I strive for in my working life – to continue to build upon what I know and improve. These layered works play with the random flow of alcohol ink and the precise technique of paper cut to build flowing, sculptural compositions.

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